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Ester Segarra

Mayhem Announce Deluxe Reissue Of “Grand Declaration Of War”


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Mayhem‘s 2000 sophomore album “Grand Declaration Of War” will be reissued in variety of formats, including a vinyl collector’s box set on December 07th through Season Of Mist. The album has been re-mixed and remastered by Jamie Gomez Arellano (Primordial, Cathedral) under guidance from the band’s own Hellhammer and Blasphemer. New artwork for the set has also been composed by Glyn Smyth.

The vinyl box set itself has been titled “A Season In Blasphemy” and will be limited to 1,000 copies worldwide. It will feature the following:

  • Grand Declaration Of War” (12″) (original version)
  • Grand Declaration Of War” (12″) (re-mixed/remastered version)
  • Chimera” (12″)
  • Ordo ad Chao” (12″)
  • Wolf’s Lair Abyss” (10″)
  • Ante Bellum” (2×10″)

A 32-page booklet, handwritten lyrics, rare pictures and a hand numbered art print are also included, as is a “Live In Marseille” DVD and a Mayhem back patch, all housed in a custom leather box. The “Ante Bellum” portion of the release boasts numerous previously unreleased tracks, including:

01 – “To Daimonion” (pre-production)
02 – “View From Nihil” (pre-production)
03 – “In The Lies Where Upon You Lay” (pre-production)
04 – “Crystalized Pain In Deconstruction” (pre-production)
05 – “Completion In Science Of Agony” (pre-production)

Jamie Gomez Arellano commented of his work in re-mixing and remastering the effort:

“It was a challenging remix to do, starting with the now obsolete format it was recorded in (ADAT). When we got the tapes, they were sent to a transfer specialist here in the UK and they were in an incubator for a couple of days to ensure they weren’t destroyed when played back on the ADAT deck (tape doesn’t age well if not stored correctly).

Although the overall recording of GDoW was done to a very high standard, the main two things that bugged me was the drum sound and the overall crispiness/digital thin-sound of it (ADAT’s don’t sound very good IMO). The biggest challenge (you guessed it) was the drums.

Hellhammer recorded on an early Roland Vdrum kit with real cymbals. Back then those clicky, super compressed drum sounds were cool, but I think most of us agree these days that it’s an unnatural sound and the samples themselves weren’t that good. I had to split each tom hit into a separate track, which was very time consuming.

I literally had to go pretty much though every drum hit to make sure the new samples were triggering correctly and believe me, there are A LOT of drum hits on this album. My goal was to make it sound more like a real kit. After much work and refining, Hellhammer came to visit me at my studio for a few days where we went through every drum track to ensure it was accurate to his performance.

The bass guitar pretty much didn’t exist. After bringing it it forward and beefing it up, I was surprised to hear some very cool bass lines that I’ve never noticed before. The recorded guitar sounds were killer actually, they were just a little thin and crispy so I gave them more “body” and a bit more “warmth” without hindering Rune’s quantum precision.

Maniac didn’t want any changes to his voice and I totally respect that. I painstakingly compared the original album vocal effects and levels to preserve it as close as I could. I ended up mastering the album to analogue tape to get a bit more warmth, depth and bottom end. I hope you all enjoy the new mix of this legendary album!”

Pre-orders for the album have been posted here. Meanwhile, a trailer previewing the release can be found below.

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