Legendary director/musician John Carpenter (‘Halloween‘, ‘Escape From New York‘, etc.) has announced his new project ‘Cathedral‘. That mixed media endeavor is comprised of his first-ever graphic novel (due out August 04th on Storm King Comics, pre-order) and an accompanying album (set for an August 07th release on Sacred Bones Records, pre-order.)
While known for his pioneering work with synths primarily amid his earlier movie output, this new album finds the 78-year-old indulging in more metal pursuits. Backing him is his frequent collaborator Daniel Davies (ex-Karma To Burn, CKY, etc.) and Carpenter‘s own son, Cody. Given the extent of ground being covered with this expansive project, the following press release probably best spells out what you can expect from this new endeavor:
‘Designed as a fully immersive project, Cathedral functions as both soundtrack and narrative engine: each track aligns with a chapter of the graphic novel, with liner notes guiding listeners through the story. As a result the story unfurls like a film and is certainly the closest approximation to a new movie from Carpenter since 2010. “It was so cinematic and vivid,” Carpenter says of the dream that inspired the story. “I thought, ‘I have to score this.’ It’s kind of our first heavy metal album.”
‘Inspired by a vividly cinematic dream he had in 2024, the story centers on an abandoned church in downtown Los Angeles that shifts from a forgotten building to the site of a waking nightmare. After the killing of a police officer draws attention to the long-ignored cathedral, Lieutenant Christine Marks and detectives Paul Hernandez and Steve Mayfield are pulled into an investigation that leads them deep into its catacombs and toward a centuries-old evil imprisoned within. Both the album and graphic novel are previewed today with the release of “Lord of the Underground,” accompanied by a visual that features animated versions of illustrations from the book.
“The story informed everything,” says longtime musical collaborator Daniel Davies of the album. “John would describe a scene and say, ‘We need a heavy riff here.’ We didn’t set out to make a metal record, but it evolved that way.” Carpenter is joined by Davies and Cody Carpenter, continuing a partnership that spans the Lost Themes album series, the recent Halloween films, and multiple reworkings of Carpenter’s classic scores. On Cathedral, the trio leans into a heavier, more aggressive palette without losing the tension and atmosphere that define Carpenter’s sound.
Whereas the Lost Themes albums were written as scores to movies of the mind, Cathedral scores the first original graphic novel written by Carpenter, in collaboration with his wife and long-time creative partner, producer and editor Sandy King, and writer Sean Sobczak, fleshed out by illustrators Federico De Luca and Luis Guaragna, colored by Sian Mandrake, and lettered by Marshall Dillon. Fans can get a first peek of its look via the visualizer for “Lord Of The Underground” out today and its first chapter, as featured in John Carpenter’s anthology Tales For A HalloweeNight Vol 11.
While the Cathedral album was crafted to be listened to as one reads the graphic novel, it was important to Carpenter that the music stand on its own. “That’s first and foremost,” the director says. “It’s all about making the music work. This is somewhat different sounding stuff that we’ve done, but it’s done with the same desire in mind,” he adds. “In other words, put this thing on and imagine you’re watching a movie. That’s what we want you to do.”
With Cathedral, Carpenter extends his world-building into a tightly wound, cross-medium experience; part score, part story, and unmistakably his own.’
