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	<title>Theprp.com - Metal, Hardcore And Rock News, Reviews And More &#187; Reviews</title>
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		<title>††† &#8211; EP ††</title>
		<link>http://www.theprp.com/2012/01/30/reviews/%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0%e2%80%a0/</link>
		<comments>http://www.theprp.com/2012/01/30/reviews/%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0%e2%80%a0/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 23:30:38 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Crosses]]></category>
		<category><![CDATA[EP ††]]></category>
		<category><![CDATA[†††]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=35726</guid>
		<description><![CDATA[The first missive from ††† (aka Crosses) was a relatively easy fit for Deftones fans — what with Team Sleep and Deftones noiseweaver Frank Delgado already acclimating audiences to Chino Moreno&#8216;s vocals overtop of electronic compositions. A surprisingly jagged and confrontational listen, &#8220;EP †&#8221; was above all else overtly seductive. On this latest release from the heralded Deftones/Far offshoot, the bluntness of the electronics and percussion has been replaced by a much softer cadence — though the sense of hazy &#8230; <a href="http://www.theprp.com/2012/01/30/reviews/%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0%e2%80%a0/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2012/01/30/reviews/%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0%e2%80%a0/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
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		<item>
		<title>Corrosion Of Conformity &#8211; Corrosion Of Conformity</title>
		<link>http://www.theprp.com/2012/01/30/reviews/corrosion-of-conformity-corrosion-of-conformity/</link>
		<comments>http://www.theprp.com/2012/01/30/reviews/corrosion-of-conformity-corrosion-of-conformity/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:43:52 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Corrosion Of Conformity]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=35707</guid>
		<description><![CDATA[Very few bands have as twisted a lineage as Corrosion Of Conformity. But so distinct have the personnel changes in this outfit been, that more often than not fans will cite certain periods of the band — rather than albums, as their favorite. Whether it be the punkish hardcore &#038; thrash amalgam that defined them early in their career; the polished groove metal found on &#8220;Blind&#8220;; or the bluesy Southern-fried Sabbath style that has more or less carried them since. &#8230; <a href="http://www.theprp.com/2012/01/30/reviews/corrosion-of-conformity-corrosion-of-conformity/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2012/01/30/reviews/corrosion-of-conformity-corrosion-of-conformity/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Lamb Of God &#8211; Resolution</title>
		<link>http://www.theprp.com/2012/01/23/reviews/lamb-of-god-resolution/</link>
		<comments>http://www.theprp.com/2012/01/23/reviews/lamb-of-god-resolution/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 21:13:52 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Lamb Of God]]></category>
		<category><![CDATA[Resolution]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=35234</guid>
		<description><![CDATA[Taking the majority of 2011 off to decompress and focus on &#8220;Resolution&#8221; has distinctly changed at least one of the core fundamental aspects of Lamb Of God&#8216;s sound. With past releases there always seemed to be a sense of pressure and inner turmoil. A tension wrought by the lack of any solitary isolation thanks to the persistence of confined quarters and perpetual career momentum. This time spent away and its afforded ability to write individually has given the band a &#8230; <a href="http://www.theprp.com/2012/01/23/reviews/lamb-of-god-resolution/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2012/01/23/reviews/lamb-of-god-resolution/feed/</wfw:commentRss>
		<slash:comments>46</slash:comments>
		</item>
		<item>
		<title>Korn &#8211; The Path Of Totality</title>
		<link>http://www.theprp.com/2011/12/07/reviews/korn-the-path-of-totality/</link>
		<comments>http://www.theprp.com/2011/12/07/reviews/korn-the-path-of-totality/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 23:44:31 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Korn]]></category>
		<category><![CDATA[The Path Of Totality]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=32709</guid>
		<description><![CDATA[Korn&#8216;s tenth studio album, &#8220;The Path Of Totality&#8220;, will surely be a divisive listen for many of the bands longtime fans. Essentially a collection of collaborations with various up and coming dubstep artists; it finds the group embracing the aforementioned nascent electronic genre with a youthful eagerness. Still, while the effort has certainly been a love affair for the bands resident electronica head/DJ Jonathan Davis; its integration with the rest of the outfit isn&#8217;t always exactly as heartfelt. To be &#8230; <a href="http://www.theprp.com/2011/12/07/reviews/korn-the-path-of-totality/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/12/07/reviews/korn-the-path-of-totality/feed/</wfw:commentRss>
		<slash:comments>100</slash:comments>
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		<item>
		<title>Cynic &#8211; Carbon-Based Anatomy</title>
		<link>http://www.theprp.com/2011/11/18/reviews/cynic-carbon-based-anatomy/</link>
		<comments>http://www.theprp.com/2011/11/18/reviews/cynic-carbon-based-anatomy/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 21:07:42 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Carbon-Based Anatomy]]></category>
		<category><![CDATA[Cynic]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=31883</guid>
		<description><![CDATA[When an outfit as progressive and experimental as Cynic seeks to further their boundaries; there&#8217;s always that danger of the material winding up being too esoteric. Such is the case with the tribal icaros (healing songs) and such that are interspersed throughout &#8220;Carbon-Based Anatomy&#8220;. While rich with a world music slant and wholly colorful, repeated listens can find them to be a bit tiresome once the initial shock value wears off. It&#8217;s not that the band haven&#8217;t lovingly approached the &#8230; <a href="http://www.theprp.com/2011/11/18/reviews/cynic-carbon-based-anatomy/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/11/18/reviews/cynic-carbon-based-anatomy/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
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		<title>Animals As Leaders &#8211; Weightless</title>
		<link>http://www.theprp.com/2011/11/09/reviews/animals-as-leaders-weightless/</link>
		<comments>http://www.theprp.com/2011/11/09/reviews/animals-as-leaders-weightless/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 20:10:54 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Animals As Leaders]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=31474</guid>
		<description><![CDATA[Animals As Leaders are certainly at the vanguard of technical progressive rock these days. Few instrumental bands have made an impact as deep as they have in recent years and there is a good reason for that. For you see it&#8217;s not only the mind boggling display of ability and technical prowess that makes Animals As Leaders such an engaging listen. Rather it is their charming knack for taking heroic moments of instrumental mastery and compressing them into an invitingly &#8230; <a href="http://www.theprp.com/2011/11/09/reviews/animals-as-leaders-weightless/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/11/09/reviews/animals-as-leaders-weightless/feed/</wfw:commentRss>
		<slash:comments>26</slash:comments>
		</item>
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		<title>East Of The Wall &#8211; The Apologist</title>
		<link>http://www.theprp.com/2011/10/20/reviews/east-of-the-wall-the-apologist/</link>
		<comments>http://www.theprp.com/2011/10/20/reviews/east-of-the-wall-the-apologist/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 21:27:33 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[East of The Wall]]></category>
		<category><![CDATA[The Apologist]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=30437</guid>
		<description><![CDATA[For the first time in recent memory the men that comprise East Of The Wall have achieved the one thing that has always eluded them. That would of course be stability. With no drastic lineup change or new moniker involved, it would finally seem that they are free to focus on the music itself and it shows. East Of The Wall&#8216;s first effort (&#8220;Ressentiment&#8220;) after absorbing Biclops (aka Day Without Dawn/The Postman Syndrome) was a stiff and needlessly heavier affair &#8230; <a href="http://www.theprp.com/2011/10/20/reviews/east-of-the-wall-the-apologist/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/10/20/reviews/east-of-the-wall-the-apologist/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
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		<title>Junius &#8211; Reports From The Threshold Of Death</title>
		<link>http://www.theprp.com/2011/10/16/reviews/junius-reports-from-the-threshold-of-death/</link>
		<comments>http://www.theprp.com/2011/10/16/reviews/junius-reports-from-the-threshold-of-death/#comments</comments>
		<pubDate>Sun, 16 Oct 2011 21:21:28 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Junius]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=30174</guid>
		<description><![CDATA[There&#8217;s a nearly inimitable sense of beauty and darkness that Junius are able to conjure on &#8220;Reports From The Threshold Of Death&#8220;. The kind that alternately drones and pulses, with both overwhelming helplessness and inspirational determination. Few bands have ever fully captured it and and fewer still have actually made it this engaging. And yet, through this veritable slit-wrist symphony of the finer traits of The Smiths, Deftones and Neurosis; Junius have done just that. This is no small part &#8230; <a href="http://www.theprp.com/2011/10/16/reviews/junius-reports-from-the-threshold-of-death/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/10/16/reviews/junius-reports-from-the-threshold-of-death/feed/</wfw:commentRss>
		<slash:comments>27</slash:comments>
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		<title>This Is Hell &#8211; Black Mass</title>
		<link>http://www.theprp.com/2011/10/15/reviews/this-is-hell-black-mass/</link>
		<comments>http://www.theprp.com/2011/10/15/reviews/this-is-hell-black-mass/#comments</comments>
		<pubDate>Sat, 15 Oct 2011 20:29:02 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[This Is Hell]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=30149</guid>
		<description><![CDATA[This Is Hell certainly sound invigorated on &#8220;Black Mass&#8220;. Countless times the album sees them eschew metalcore slickness for a fusion of warts and all thrash and gritty NY hardcore. Yes ladies and gentlemen, what we have here is essentially a crossover album. One that willfully looks back to the days of xeroxed fanzines and 7&#8243; pressings as a necessity, not a marketing gimmick. But for as much as this effort represents a classic crossover approach; it also presents a &#8230; <a href="http://www.theprp.com/2011/10/15/reviews/this-is-hell-black-mass/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/10/15/reviews/this-is-hell-black-mass/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
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		<title>Opeth &#8211; Heritage</title>
		<link>http://www.theprp.com/2011/09/26/reviews/opeth-heritage/</link>
		<comments>http://www.theprp.com/2011/09/26/reviews/opeth-heritage/#comments</comments>
		<pubDate>Mon, 26 Sep 2011 23:43:46 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Heritage]]></category>
		<category><![CDATA[Opeth]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=29105</guid>
		<description><![CDATA[There was a time when calling Opeth progressive death metal seemed like a neat and tidy way to sum up their varied career. When it comes to &#8220;Heritage&#8221; however, the latter half of that genre tag no longer applies. For as the title seems to suggest, &#8220;Heritage&#8221; feels like a tribute to the bands more cultured and seminal influences. It&#8217;s certainly an album that finds the group blasting off on a spacey prog rock-led odyssey. But in order to reach &#8230; <a href="http://www.theprp.com/2011/09/26/reviews/opeth-heritage/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/09/26/reviews/opeth-heritage/feed/</wfw:commentRss>
		<slash:comments>30</slash:comments>
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		<title>Mastodon &#8211; The Hunter</title>
		<link>http://www.theprp.com/2011/09/14/reviews/mastodon-the-hunter/</link>
		<comments>http://www.theprp.com/2011/09/14/reviews/mastodon-the-hunter/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 00:04:26 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Mastodon]]></category>
		<category><![CDATA[The Hunter]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=28465</guid>
		<description><![CDATA[With a back catalogue jam packed with concept albums it would seem Mastodon were in the mood for a change with &#8220;The Hunter&#8220;. For not only does it see the band abandoning one of the key ingredients of their studio output (a concept,) but also finds them heading in some rather unexpected directions as well. On the surface &#8220;The Hunter&#8221; has the potential to be a rather controversial album for the group. Shying away from their penchant for intricately constructed &#8230; <a href="http://www.theprp.com/2011/09/14/reviews/mastodon-the-hunter/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/09/14/reviews/mastodon-the-hunter/feed/</wfw:commentRss>
		<slash:comments>81</slash:comments>
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		<title>Primus &#8211; Green Naugahyde</title>
		<link>http://www.theprp.com/2011/09/14/reviews/primus-green-naugahyde/</link>
		<comments>http://www.theprp.com/2011/09/14/reviews/primus-green-naugahyde/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 20:40:07 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Green Naugahyde]]></category>
		<category><![CDATA[Primus]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=28444</guid>
		<description><![CDATA[It&#8217;s almost ironic that on their first studio album in over a decade, Primus are still a musical anomaly. Admittedly the bands departure from the scene occurred on the back of perhaps their weakest album, 1999&#8242;s somewhat maligned &#8220;Antipop&#8220;; but that doesn&#8217;t mean that a new Primus album being in stores isn&#8217;t a cause for celebration alone, whether it &#8216;sucks&#8217; or not. Having spent the past decade in a state of on again/off again hiatus, their long-awaited return isn&#8217;t without &#8230; <a href="http://www.theprp.com/2011/09/14/reviews/primus-green-naugahyde/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/09/14/reviews/primus-green-naugahyde/feed/</wfw:commentRss>
		<slash:comments>30</slash:comments>
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		<title>Century &#8211; Red Giant</title>
		<link>http://www.theprp.com/2011/09/01/reviews/century-red-giant/</link>
		<comments>http://www.theprp.com/2011/09/01/reviews/century-red-giant/#comments</comments>
		<pubDate>Thu, 01 Sep 2011 22:47:59 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Century]]></category>
		<category><![CDATA[Red Giant]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=27736</guid>
		<description><![CDATA[Usually when a project is originally formed with one man (in this case Carson Slovak) as the nucleus, there is a standardized trajectory and definitive sound that guides them throughout their career. Having since mutated into a full band, Century rarely exhibit any hive mind traits. &#8220;Red Giant&#8221; is at its heart a musical melting pot of some of metal&#8217;s more recent innovators. The group tear through a vitriolic collection of material that doesn&#8217;t just run the gamut of discernible &#8230; <a href="http://www.theprp.com/2011/09/01/reviews/century-red-giant/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/09/01/reviews/century-red-giant/feed/</wfw:commentRss>
		<slash:comments>24</slash:comments>
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		<title>Revocation &#8211; Chaos Of Forms</title>
		<link>http://www.theprp.com/2011/08/18/reviews/revocation-chaos-of-forms/</link>
		<comments>http://www.theprp.com/2011/08/18/reviews/revocation-chaos-of-forms/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 02:14:33 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Revocation]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=26991</guid>
		<description><![CDATA[Revocation&#8216;s death metal tinged brand of progressive thrash remains as brave as it is brawny on the groups latest offering, &#8220;Chaos Of Forms&#8220;. Combining classic Megadeth-era thrash precision with cagey bellows and darkened grit, Revocation readily prove themselves as deserving of the hype. Guitarist/vocalist David Davidson&#8216;s aggressive playing style and impressive chops clearly lead the charge, displaying equal parts technical finesse and crunchy aggression. In fact, his agility and speed would lead one to believe he would almost need to &#8230; <a href="http://www.theprp.com/2011/08/18/reviews/revocation-chaos-of-forms/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/08/18/reviews/revocation-chaos-of-forms/feed/</wfw:commentRss>
		<slash:comments>39</slash:comments>
		</item>
		<item>
		<title>White Arms Of Athena &#8211; Astrodrama</title>
		<link>http://www.theprp.com/2011/08/15/reviews/white-arms-of-athena-astrodrama/</link>
		<comments>http://www.theprp.com/2011/08/15/reviews/white-arms-of-athena-astrodrama/#comments</comments>
		<pubDate>Tue, 16 Aug 2011 00:00:35 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[White Arms Of Athena]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=26665</guid>
		<description><![CDATA[To form an uninfluenced opinion on White Arms Of Athena is not an easy task. On one hand you have the exceptional instrumental mastery with intricately layered songs full of prog metal excellence. On the other you have a band that sounds almost exactly like Between The Buried And Me. It&#8217;s a not just a passing resemblance or the odd element here and there. No, at most times even an avid BTBAM fan would have a hard time distinguishing the &#8230; <a href="http://www.theprp.com/2011/08/15/reviews/white-arms-of-athena-astrodrama/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/08/15/reviews/white-arms-of-athena-astrodrama/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
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		<title>Crosses (†††) &#8211; EP †</title>
		<link>http://www.theprp.com/2011/08/06/reviews/crosses-%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0/</link>
		<comments>http://www.theprp.com/2011/08/06/reviews/crosses-%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0/#comments</comments>
		<pubDate>Sat, 06 Aug 2011 21:19:20 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Crosses]]></category>
		<category><![CDATA[†††]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=25990</guid>
		<description><![CDATA[Perhaps it was intentional that the abundance of ASCII characters and low key hype surrounding the release of Crosses&#8216; (aka †††) debut EP would raise the dander of witch house loving hipsters. Musically though, the outfit are a much different read than their proverbial cover would suggest. Originally dubbed The Holy Ghost, Crosses are of course the long-gestating side project of Deftones frontman Chino Moreno, Far guitarist Shaun Lopez and Chuck Doom. To be clear, witch house Crosses are not. &#8230; <a href="http://www.theprp.com/2011/08/06/reviews/crosses-%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/08/06/reviews/crosses-%e2%80%a0%e2%80%a0%e2%80%a0-ep-%e2%80%a0/feed/</wfw:commentRss>
		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>Bury Your Dead &#8211; Mosh N&#8217; Roll</title>
		<link>http://www.theprp.com/2011/07/27/reviews/bury-your-dead-mosh-n-roll/</link>
		<comments>http://www.theprp.com/2011/07/27/reviews/bury-your-dead-mosh-n-roll/#comments</comments>
		<pubDate>Thu, 28 Jul 2011 00:01:03 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bury Your Dead]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=25127</guid>
		<description><![CDATA[Bury Your Dead have certainly undergone a lot of changes since their last release. Whether it be the controversial (and allegedly unceremonious dumping) of frontman Myke Terry; the return of vocalist Mat Bruso; or the move from Victory Records to Mediaskare &#8211; much has transpired since we last heard from the band. If anything through, it is the reinstatement of Bruso that has steered this outfit back on a proper course. Their 2009 release &#8220;It&#8217;s Nothing Personal&#8221; was a damning &#8230; <a href="http://www.theprp.com/2011/07/27/reviews/bury-your-dead-mosh-n-roll/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/07/27/reviews/bury-your-dead-mosh-n-roll/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Fair To Midland &#8211; Arrows And Anchors</title>
		<link>http://www.theprp.com/2011/07/18/reviews/fair-to-midland-arrows-and-anchors/</link>
		<comments>http://www.theprp.com/2011/07/18/reviews/fair-to-midland-arrows-and-anchors/#comments</comments>
		<pubDate>Tue, 19 Jul 2011 01:36:29 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Fair To Midland]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=24646</guid>
		<description><![CDATA[It&#8217;s little surprise that a band as off-color and chaotically inventive as Fair To Midland were initially championed by System Of A Down frontman Serj Tankian. While &#8220;Arrows And Anchors&#8221; marks their graduation from Tankian&#8216;s Serjical Strike Records to new label home eOne Music; it remains no less as colorful and impulsive as their past works. And yet despite an eclectic and earthy mixture of prog metal, alternative rock and the numerous influences and elements scattered in between, maturity has &#8230; <a href="http://www.theprp.com/2011/07/18/reviews/fair-to-midland-arrows-and-anchors/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/07/18/reviews/fair-to-midland-arrows-and-anchors/feed/</wfw:commentRss>
		<slash:comments>25</slash:comments>
		</item>
		<item>
		<title>Evan Brewer &#8211; Alone</title>
		<link>http://www.theprp.com/2011/06/26/reviews/evan-brewer-alone/</link>
		<comments>http://www.theprp.com/2011/06/26/reviews/evan-brewer-alone/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 22:14:35 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Evan Brewer]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=23747</guid>
		<description><![CDATA[There&#8217;s generally a degree of pomp and derision involved when a musician strikes it out on their own for a solo CD. Tack on the fact that it&#8217;s bass guitar only and doesn&#8217;t feature Victor Wooten or Les Claypool and it&#8217;s surprising &#8220;Alone&#8221; even made it to stores. Sure there&#8217;s a niche audience who will enjoy hearing a demonstration of scales and technique, but why would they pay for it when they can just walk into a Guitar Center and &#8230; <a href="http://www.theprp.com/2011/06/26/reviews/evan-brewer-alone/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/06/26/reviews/evan-brewer-alone/feed/</wfw:commentRss>
		<slash:comments>18</slash:comments>
		</item>
		<item>
		<title>Limp Bizkit &#8211; Gold Cobra</title>
		<link>http://www.theprp.com/2011/06/21/reviews/limp-bizkit-gold-cobra/</link>
		<comments>http://www.theprp.com/2011/06/21/reviews/limp-bizkit-gold-cobra/#comments</comments>
		<pubDate>Wed, 22 Jun 2011 02:04:38 +0000</pubDate>
		<dc:creator>wookubus</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Limp Bizkit]]></category>

		<guid isPermaLink="false">http://www.theprp.com/?p=23538</guid>
		<description><![CDATA[Amid years of silence, cancelled tours and numerous delays; few expected Limp Bizkit&#8216;s &#8220;Gold Cobra&#8221; to ever actually see a release and yet here it stands. The poster boys of the nu-metal movement return with an album equivalent to that of a summer blockbuster popcorn movie &#8211; that is to say big budget explosions and little in the way of plot. Surprisingly enough there is a palpable fun factor, even to those who endured the genre&#8217;s heyday, when listening to &#8230; <a href="http://www.theprp.com/2011/06/21/reviews/limp-bizkit-gold-cobra/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.theprp.com/2011/06/21/reviews/limp-bizkit-gold-cobra/feed/</wfw:commentRss>
		<slash:comments>111</slash:comments>
		</item>
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