Metal, Hardcore And Rock News, Reviews And More

Reviews

  • Album Name

    4 / 5

    Having already conquered the dungeons and the dragons, it’s not really a big surprise that The Sword would head to space with the sci-fi themed narrative that sets the backdrop for “Warp Riders“.
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  • Album Name

    2.5 / 5

    Over the course of the last decade Avenged Sevenfold transformed themselves from antagonistic metalcore stalwarts to a larger than life image driven sleazy rock n’ roll outfit. Much like Eighteen Visions before them, such a bold transition has come with a high price. (more…)

  • Album Name

    3.5 / 5

    East Of The Wall – Ressentiment

    Translation Loss 2010

    And then there was one – well, almost. Originally splintering off from The Postman Syndrome/Day Without Dawn/Biclops conglomerate East Of The Wall have finally come full circle, absorbing their progenitors and taking the throne as the primary band. Of course, that’s not to say members of East Of The Wall aren’t currently involved in a litany of other projects. But for now, the confusion and boundless mutations look to have ceased, lineup wise at least. (more…)

  • Album Name

    3 / 5

    The Acacia Strain – Wormwood

    Prosthetic Records 2010

    The Acacia Strain’s devotion to keeping their music devastatingly heavy has become their proverbial calling card over the years . As “Wormwood” readily proves, the group aren’t about to change the stationery. A powerful display of misanthropic venom being spewed overtop of simplified Meshuggah-styled riffs and a pummeling rhythm section, this album finds their hostility broken down to its most vicious form. (more…)

  • Album Name

    2 / 5

    If ever there was anything that held Korn back throughout their storied career, it would be their inability to deal with their creative shortcomings internally. Their last two albums found them thrown to the mercy of pop music production outfit The Matrix and Trent Reznor’s right hand man Atticus Ross. (more…)

  • Album Name

    3 / 5

    Mastodon’s first foray into the world of film scoring was surely a trial by fire experience. Film studio politics saw the bands original work with composer John Powell curtailed thanks to reshoots, scheduling issues and a change in the films tone. The revisions also meant that the group had to rework their contributions while on tour – a move that surely distracted them from reaching their full potential. (more…)

  • Album Name

    3.5 / 5

    Even with Isis‘ seat soon to be up for grabs it’s not likely that Rosetta will be making any plays for the throne. Throughout their surprisingly prolific career, the band haven’t exactly set their sights on a mainstream breakthrough, instead focusing on the music first and foremost. Sure honest intentions don’t pay the bills, but that doesn’t stop Rosetta on “A Determinism Of Morality“. (more…)

  • Album Name

    3 / 5

    Along with the likes of Failure and Sunny Day Real Estate, Far were considered one of the more influential outfits to emerge from the darkly emotive alternative direction post hardcore took in the late 90’s. Following their original split in 1999, the group splintered off into a number of projects which while certainly earnest in intent, largely failed to really make a dent – so much so that the band are probably perhaps best known by the youth of today for their various pairings with their proverbial brother band the Deftones. (more…)

  • Album Name

    4.5 / 5

    Deftones – Diamond Eyes

    Reprise/Warner 2010

    If “Diamond Eyes” has any defining trait, it would have to be clarity. It’s no secret that over the past few albums the Deftones‘ creative process has gone hand in hand with inner turmoil. But the thing about tragedy is that it often brings people together and the November 2008 car accident which has left Deftones bassist Chi Cheng sidelined since appears to have done just that. (more…)

  • Album Name

    4 / 5

    The Ocean – Heliocentric

    Metal Blade 2010

    While The Ocean have certainly followed an artistic muse throughout the years, the concept and expanse of ideas they tackle upon “Heliocentric” are ambitious to say the least. (more…)

  • Album Name

    3.5 / 5

    Cancer Bats – Bears, Mayors, Scraps & Bones

    Good Fight Music/Distort Entertainment 2010

    As one of the flagship releases for fledgling label Good Fight Music, Cancer Bats are forced to live up to perhaps their highest scrutiny yet. Not only do they have to deliver a strong enough album to warrant their continued label oriented game of musical chairs, they are also setting the precedent for a planned legacy to come. (more…)

  • Album Name

    4 / 5

    The Dillinger Escape Plan – Option Paralysis

    Party Smasher Inc. / Season Of Mist 2010

    Clearly to begin to appreciate “Option Paralysis” one must better understand the situations that helped to shape it. For years The Dillinger Escape Plan have fought tooth and nail to earn their stripes and while widely praised by the press, their peers (including Trent Reznor and Mike Patton) and the fans at large, they are routinely outsold by the bands that originally opened for them. (more…)

  • Album Name

    3 / 5

    While many of their god-fearing peers practice the art of subtlety when it comes to their religious beliefs, Demon Hunter have always remained fiercely unapologetic about their Christianity. “The World Is A Thorn“, their first album without lead guitarist Don Clark (brother of band frontman Ryan Clark,) sees this aspect attacked with near feverish indignation. (more…)

  • Album Name

    3.5 / 5

    Throughout the years High On Fire’s legions have continued to grow and given the strength of their recent material, it’s not hard to see why. But while their expansions in influence and admiration from their peers have certainly been prosperous for them, they haven’t exactly equaled a considerable increase in finances or namesake. (more…)

  • Album Name

    2 / 5

    Chelsea Grin – Desolation Of Eden

    Artery Recordings 2010

    One needn’t look much further than “Desolation Of Eden” to see the stagnancy overtaking the deathcore genre. While initially impressive on the basis of its thundering riffs and evenly tempered rhythm section; this album rapidly devolves into an almost laughable combination of formulaic monolithic pounding and insipid larynx shredding. (more…)

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