Baroness – Yellow & Green
Relapse Records 2012
To limit the spectrum of colors featured on “Yellow & Green” to only two almost feels like a misnomer. For there are far more shades at play here than the title would suggest. Essentially a double album packaged as one, the effort is split into two halves with yellow comprising tracks 1 to 9; while green runs from tracks 10 to 18.
This intended color differentiation isn’t merely superficial packaging. For it also defines the movements and tone of the release. The yellow half features a wealth of classic rock bombast and organic fuzzy grit. Meanwhile, the green album delves headlong into stark melody and electronic experimentation.
In case the above description didn’t spell it out for you—”Yellow & Green” finds Baroness largely severing the ties to their burly metallic roots. If the “Blue Record” was these Georgia natives entering the cocoon; then “Yellow & Green” is their melodic metamorphosis—a full-fledged sonic reawakening as a far more delicate beast.
Flourishing on melody and atmospheric groove, the weighty force of old is present here—though largely only in spirit. Thankfully the engaging artistry and penchant for inventive songwriting remains in full bloom. What truly characterizes “Yellow & Green” though is ambition, but it can come at the cost of overall focus.
It’s a thin line they bend adroitly, but there are occasions where their enthusiasm for upheaval can become overwhelming. However, given the breadth of this release, it seems like at least a small amount of listener alienation is intended. Especially on songs like “Cocanium“, whose clipped-sounding snare hits and catchy beat give propulsion to a spacey excursion.
The implementation of atmospheric sound effects, such as the buzz of flies in “Twinkler“; and the zooms and swooshes that compliment the dense plodding of “Collapse” will also likely catch listeners off guard. That said, a few may find there to be too much diversity at play on this album. As the broad range can detract from the intimacy of the outfit.
For instance, the triumphant solo in “Little Things” sounds like it was taken from the Queen catalogue. “Sea Lungs” harkens to the ascendant restlessness of Muse; “Eula” mines Pink Floyd‘s vast soundscapes; while “Board Up The House” rides out a churning poppy bass groove with Torche-like expertise.
These similarities, if not influences, are innumerable. While they don’t define the very songs, they certainly cloud the distinct core of them. With that being said it’s entirely possible that “Yellow & Green” will mark the crossroads of Baroness‘ career. The rare album that redefines an already established band and endears them to another audience entirely.
Whatever its lasting impact may be, it indelibly signifies Baroness‘ arrival as a major creative force.
Click the stars to rate this album.





COMMENTS
Honestly? The fact that Baroness had a new record coming out this year meant absolutely nothing to me. At the beginning of every year I’ll usually compile a list of forthcoming “heavily anticipated” releases based on what bands have previously announced, expected albums based on a given band being in the studio late in the year prior, and on Decibel Magazine’s January 20XX issue which offers perhaps the most comprehensive list of all (following their own “25 Most Anticipated Albums of the Year”).
Baroness and the whole ‘beard metal’ movement (High On Fire, Mastodon, etc.) has never really “done” anything for me when it comes to personal taste. I’ve never thought any of these bands “sucked” or weren’t talented, though I wouldn’t ever purchase their albums either since the music bored me a bit.
I have read and seen the reactions to the massive change in sound Baroness has made with “Yellow & Green” – I’m talking mostly by fans, not so much from metal publications, whether online or printed – and the vast majority of diehards seem to despise this double disc release. For whatever reason, I opted to take a chance on it since I knew I could at least re-sell the album to one of the handful of friends who LOVE their previous stuff if I didn’t want to continue owning it.
Putting it on for the first time after walking out of a local independent music shop (yep, we’ve still got some of those in this city), the album immediately gripped me in a way that none of their older material has (likewise, the album struck me as being infinitely better than any Mastodon or High On Fire record I had listened to). I happened to be driving to NYC that day, so I picked up the album on my way; listened to the entire thing from start to finish in absolute amazement.
Have you ever had one of those moments where an album you’re listening to for the first time perfectly coincides with the mood you’re in, to the point where it elevates your mood to an even more intense level of emotion, whether positive or negative (I’ve experienced both instances before). Well, in this case, “Yellow & Green” just so happened to make what was already a great day immeasurably better. I LOVE this record. Love the direction the band has taken and obviously I think this is Baroness’ swan song, at least thus far in their career.
When Mastodon “went soft” and turned away from their heavier, metallic roots in favor of progressive rock, I transitioned from being a “casual fan, at best” to an outright loather of their crappy “new style”. So I understand why people who are big fans of Baroness’ earlier material might hate this album. Hell, I’m still pretty perplexed as to why it resonates with me as intensely as it does. But I’ve been listening to it constantly since I purchased it and it only seems to get better as I delve more deeply into each disc and each individual song. Absolutely, without a doubt, one of the best albums released so far in 2012. 5/5 stars by me.
You still owe me for fantasy hockey. Just a heads up, buddy.
Nicely said, even if you misused the phrase “swan song”.
I would argue that “swan song” is a term, not a “phrase.”
Wook, you accidently reviewed this twice.
Album of the year.
I do love Baroness, will pick this up.
Great album. Gets better the more I listen. Tonight, going to try listening whilst driving around in my birthday suit. Feedback to follow.
Is that before or after Jesus fingered your butthole? I wouldn’t want you to poo all over your driver’s seat.
What an awkward thing to say.
it is totally a perfect album for roadtrips.
I just picked it up today from the mall, I already listened to the album since it was streaming for like a week already, the packaging was nice and amusing, came home and starting reading the lyrics while listening to the album and a lot of the lyrics I didn’t understand at first made sense haha, but this is definitely an amazing album, and a great review, definitely buy it.
You went to the mall?!?!?!? Lucky son of a bitch!
The funny thing about true art is that it is seemless and just blends into time/ space without incident. Baroness are artists of the highest order. I love the mellow vocals. I love the expansion of sound and production. These motherfuckers are fearless like that song from Pink Floyd. True artists.
I agree with 4.5 stars. Yellow & Green is pretty fucking impressive. If it weren’t for a couple of songs that seemed flat to my ears, I would say it’s perfect. I swear to god I shit Jello Pops and jizzed Ectocooler during the Brian May-esque solo halfway through Back Where I Belong.
While critics and industry “experts” wring their hands and proclaim the demise of the quality of the art form known as music, a few pioneers out here still inspire the legions that hunger for this sort of organic innovation. Thank you cheebus!
This is a great album.
it’s ok
interesting stuff, nice work – just don’t gravitate to them as much as I feel I should…
what I have heard is very good.
If you thought you were gonna get this before or on release date from Relapse Records, you had a bad time.
Never recieved the vinyl Neurosis “Enemy of the Sun” thru Relapse.. triflin’ shitz. Eventually had to get it on eBay..
At least I got hooked up with “L’Enfant Sauvage” almost a week before it’s street Tuesday.
Anyways, most excellent Baroness material (how rich is “Stretchmarker”)! 3rd on my 2012 list so far, after Volta and Trioscapes.
i got it yesterday or today my naighbor grabs my mail for me so no one steals my shit. they could of included a digi release with the vinyl no i got to download it. Yellow is pretty killer checking out green now Board up the house reminds me of that video from youtube the hid yo kids video lol
This is hitting me like EL Cielo did way back when. Fucking killer job. Guess it’s time to check the back catologue.
This is hitting me like fuckin’ Leitmotif did way WAY back when! Fuck I’m getting old.
On topic, this (album) has thus far nudged Torche out of the Album of the Year stakes for me personally.
seeing their metamorphosis from sludge to prog/hard-rock has been exhilarating. this album continues to support the fact that Baroness are some of the best our generation has to offer.
Double albums rule, okay? My favorite double is The Fragile (closely followed by Mellon Collie…yep!) but fuck me, 3 days in, this could very well edge in as being a winner.
“This is a great album” and “it’s ok”?
Really, guys? Tell us what you think, you know, in your own words. Just try not to hurt yourselves.
Headed to the shop right now
https://www.facebook.com/onlifenyc
Cocainium is that song for me right now that sucks me in.
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