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Gojira – L’Enfant Sauvage

Roadrunner Records 2012

Gojira - L'Enfant Sauvage

Gojira‘s brand of environmentally conscious progressive metal has certainly earned them some friends in high places. But while metal’s elite have taken them under their wing in recent years; the bands ideals have remained as unwavering as their predilection to taking chances.

While “L’Enfant Sauvage” maintains this free spirit; it thankfully shies away from the bigger risks (here’s looking at you “A Sight To Behold“) that have cropped up on past releases. Throughout the course of this album the group sound like an earthier Meshuggah with subtle hallmarks from the Mastodon and Cynic playbooks. A hulking sonic behemoth that favors complex monolithic ferocity over exploring psychedelically altered states.

This sense of surefooted force not only permeates the effort, but also gives it immeasurable weight. In turn, despite the continued polyrhythmic cacophony, the dense rhythmic pummel and exacting low end guarantee that the band are left tilling instead of taking off.

So firmly is Gojira‘s songwriting formula anchored by its own mass, that the searing guitar work and robust vocals feel more like whirring appendages. Such heft would likely render most bands output as deadweight; but Gojira instead capitalize on the situation through some clever, if not exactly all that varied, songwriting.

Whether led by bellowing rage or slightly off-kilter melodies, the group fully commit themselves to their cause. This steely resolve greatly compliments the brainy nature of the lengthy songs on hand. The only real complaint that one could level against “L’Enfant Sauvage” is that it is perhaps a bit too comfortable in its aggression.

The opening track “Explosia” sets the bar impossibly high right out the gate, ending in a devastatingly heavy groove countered by ringing notes right out of Ennio Morricone‘s spaghetti western heyday.

Unfortunately that impressive burst of genius pairing is never matched by the rest of the more guarded efforts at branching out. But its inclusion alone is well worth the price of admission, as is the overall quality of rest of the material the band have crafted here.

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COMMENTS

19
    • avatar
    • Bitter Old Man     June 20, 2012 at 2:03 pm

      “A hulking sonic behemoth that favors complex monolithic ferocity over exploring psychedelically altered states.” Shit, yes. Exactly what I wanted to hear. Can’t wait to find this in my mailbox, take it home with me, and take my pants off.

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    • This is the shit dreams are made of. It has a trance to it that will make you go into the world they have created. This is by far the best album so far this year and may very well be album of the year.

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    • cutmewithyoursun     June 21, 2012 at 12:10 pm

      As I said in the earlier thread: Pretty disappointing if you ask me. Most of the heavy stuff is variations on fast heavy riffing, which gets pretty monotonous as the album goes on. They seem to have gotten away from the interesting, mind-numbingly heavy riffs of From Mars to Sirius (one of my favorite albums), which is a shame. There’s also too much in the way of attempts at clean vocal choruses, which I prefer at a minimum in my Gojira. And I liked “A Sight to Behold,” so my beef isn’t purely that they have gotten “less heavy” (whatever that means), it’s just I think this album is less interesting. Oh well. It’s not *bad*, just not something to write home about. Explosia is my favorite song, and wook is right to praise it highly.

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    • coolguy2424     June 21, 2012 at 2:37 pm

      I didn’t really dig this one upon initial listening. It greatly improves upon further spins. This record is a grower not a shower, kind of like my dick.

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    • Gojira are one of those bands I’ve been meaning to listen to. Wow, paint me impressed cos this album fuckin’ slays. I was even more impressed that they decided to name the album after my dick!

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      • EyeOfEveryScorn     June 26, 2012 at 8:28 am

        The Way of All Flesh was my 1st album and really drew me in. After that I bought everything else and you can’t really go wrong with any album. I love how I hear bits of Morbid Angel in their guitar work and pieces of Neurosis in the structure. When you check out their Wiki page and look at their influences, they are most definitely a culmination of everything they site as an influence.

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      • wearesorta138     June 26, 2012 at 10:20 am

        Agree with Way of All Flesh. From Mars to Sirius is killer as well (fucking love the song Ocean Planet) but that one can get a bit grating if you’re not in the mood for it.

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    • Christ, this album is melting my face. Thanks to theprp for turning me onto another band – I hadn’t heard these guys yet (under the obviously wrong assumption that new music almost always sucks). I am digging on the mix of elements here. I love the in-key yelling vocals. Kind of reminds me of Comeback Kid, which is a trip because the guys don’t sound anything like CBK. I also love all the Paul Masvidel Cynic computerized vocals. Damn, I was already getting flattened by the first cut, then the bridge section came in and was succeeded by the outro with the western guitar melody on top. Really digging it…. Oh yeah, and the drummer….

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    • just picked this up last night, and holy shit….metal album of 2012? the transitions these guys write to get between their parts are simply mind-blowing. the comments about the gift of guilt are right. that has to be one of the best metal songs ever written. get this album.

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