The Acacia Strain – Wormwood
Prosthetic Records 2010
The Acacia Strain‘s devotion to keeping their music devastatingly heavy has become their proverbial calling card over the years . As “Wormwood” readily proves, the group aren’t about to change the stationery. A powerful display of misanthropic venom being spewed overtop of simplified Meshuggah-styled riffs and a pummeling rhythm section, this album finds their hostility broken down to its most vicious form.
But if anything has defined The Acacia Strain‘s music as a whole, it would be the hulking rhythmic syncopation that continually keeps the subwoofers rumbling. “Wormwood” certainly has its fair share of frenzied snarl, but it’s the primal bass-heavy drop tunings and rigid exploration of the lower register that remains its most striking aesthetic.
Unfortunately though, such qualities aren’t entirely as unique as they used to be as the territory these Massachusetts natives established for themselves a few years back has been increasingly encroached upon by numerous outfits in recent times.
Normally a group with as bloodthirsty a skill set as The Acacia Strain can fend off such dilution by focusing on their strengths and coming out on top through sheer force. However, this is where “Wormwood” generally falters. The songs, while bruisingly heavy, possess little variation not only from each other, but from past efforts. Nearly every track adopts the same lumbering tempo and formula.
It’s this creative restraint and heavy for the sake of being heavy approach that can make the outing bloat under its own weight over the course of a mere few tracks. Some ringing chords, a chunky riff-driven verse and the occasional screechy atmospheric chorus generally sums up the playbook.
Instrumental stagnancy alone can be hard to swallow, but its not the biggest horse pill on this record. That honor would go to the lyrical content which seems dulled to an almost elementary level. Sure band frontman Vincent Bennett has gone in a more personal direction, but by limiting his allusive vocabulary, the bluntness and shock value of his guttural ravings soon come off as shallow and cliché.
Cons aside, “Wormwood” remains a fierce piece of thunderous metal that will certainly please most of the groups established fan base. But its lack of growth and inability to experiment outside of say the addition of an eight string guitar is troubling to say the least.
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COMMENTS
I have to say, this might be their weakest release to date. I still enjoy it, but I think “The Dead Walk” is still their best album to date. The song “See you next tuesday” is far superior to anything on this disc.
let’s face it; once the parasites latch on, you’re gonna lose that element that makes your stand out. It’s hard to sound original when there are 70 bands who sound just like you.
Too many bands are playing 8 strings now……like the review said being heavy for the sake of being heavy. The over all production on the record is great and the vocals sound awesome I just wish they would of done more with the 8 string
And Life is Very Long… is definitely my favourite, all she wrote 2002 is a fucking brutal song. Going to download this and give it a good listen tonight, though generally speaking I usually support wookubus 100% with his reviews, I might have to disagree here!
I definitely agree with this review. The lack of variation in the lyrics is easy to identify after just a few tracks, also not forgetting to mention the melody of the songs too. Still it is a good album and great to listen live, I heard The Hill Have Eyes & Jonestown last weekend – and it sounded really good.
This band blows…1/5 for whoever 1/5′d the Korn for the hell of it.
Not really anything to say that the review didn’t. A good album and props to the band for remaining ridiculously heavy. However, this album definitely is not going to be as memorable as Continent and The Dead Walk. The songs blend together too much and the lyrical content has definitely been over simplified. Still not a bad listen when you want to hear some crazy heavy shit, but not as well rounded as the last two efforts.
Hmmmmm… TAS or Korn – stickin with the former
I would never say The Acacia Strain is anywhere close to Pantera, but I feel like a lot of bands are trying to sound like The Acacia Strain now, just like they wanted to sound like Pantera in the 90′s… tuned low, playing poly-rythms, and throwing bass drops everywhere, with a soul purpose of being as heavy as possible. The overall sound of this album is great. I like the simplicity of the riffs and grooves on this album, and I like the length of their songs now; They are much longer. I feel like the band didn’t change much, and for that same reason I respect them for it. They have delivered an Acacia Strain album. Nothing more, nothing less. This album is just as heavy as any of their others, but other than the longer songs, they haven’t given us anything more than before. If the lyrics were as good as they were on “The Dead Walk” and “Continent,” I would like this album just as much. A part of me would actually be disappointed if this album was as good as I expected, because they can never re-produce their sound live with only one guitar player… but I’ll still listen to it.
Really shitty albums lately, wookubus
@iem55: They play with two guitarists live. Without the guitarist who plays on their albums.
Every time I have seen them, they had one guitar player, and it sounded weak.
In a day and age where we have such well formed chaotic metal band heavyweights such as The Red Chord, Animosity, and Bleed the Sky, what makes anyone think they can get by with ferocious, yet empty of creative edge and sometimes even boring albums. I mean come on guys, is your contract up with Satan?
Why don’t you quit trying to please the shareholders and start entertaining your loving metal community. In the mean time, I think I’m going to purchase the new Eminem rather than take a chance at making my ears crawl through 45 minutes of pig grunts from a of dark nihilist floating on a sea of uncolorful sludge.
For failure to kick it up a notch from the almost par Continent, I’ve pretty much lost my faith in The Acacia Strain. I say go listen to the new White Chapel if you want a more fun approach to the thunderous dark side.
@Scooooobs: I appreciate your sincerity. I ag\reee w/ your ears. I shall recommend the new Ion Dissonance as your “thunderous dark side”. p.s. ANIMOSITY muthafuKCA!!$%^#!!!
Sounds like Meshuggah meets Five Finger Death Punch….
When in doubt, tune your guitars way low and play slow riffs. Then produce the shit out of it, someone will enjoy it.
I personally thought this was by far their weakest album. I think the problem lies in the fact that playing as low on the register as possible and playing as heavy as possible are two completely different concepts. I feel the idea of heavy stems in skillful manipulation of momentum and technicality in playing. Sure a really low riff will come across as impactful when used in an environment where it stands out, but this album pretty much never varies in that respect, so tonally, the impact is lost and it’s just sludge for me.
An example which stays close to the (imo) good elements of tAS’s idea of heavy (present less in their recent album) would be “Sunpoison and Skin Cancer” off 3750. At 3:04 “compared to actual existence, this is childsplay.”
The whole framing of the song shifts and it just keeps getting heavier from this point on. In the new album I didn’t see much of that going on and it was utterly boring after a point. Something I never thought I’d say about tAS.
I’ll hold out hope for a better offering in the future. Maybe one that’s a little less “heavy” and a little more “intelligent.”
Ever since the PRP added comment sections to the album reviews, I always find it comical to come and read what the 18-20 yr old hipster set has to say about albums that are have good production values or don’t meander around for 5 min before making a melodic statement. If you don’t like the style, why waste your time commenting on it?
I am in agreement that this album is not Acacia’s strongest, but I like that I can count on them for simple yet brutal music when I need that fix. It can’t always be Isis and Neurosis.
In closing, the entire community here is exactly the stereotype in Brian Posehn’s “More Metal Than You”. Case in point: just look at that They Ate Their Macaroons in Silence’s comments.
Great Album.. love the direction they took. obvious influence on this album. sound is tight. 5/5
Tactical Duke… daaaaauuuuunnnn
you guys who are all hatin are friggin retarded. i dont know where to start. every album theyve done since the dead walk has been badass and only gotten better. wormwood is fuckin awesome start to finish. it blows my mind that people arent satisfied. the weirdest comment was some douch talkin about buyin an eminem album instead…..made my dick soft
just enjoy the album and don’t bump ancient shit please
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