High On Fire – Snakes For The Divine
eOne Music 2010
Throughout the years High On Fire‘s legions have continued to grow and given the strength of their recent material, it’s not hard to see why. But while their expansions in influence and admiration from their peers have certainly been prosperous for them, they haven’t exactly equaled a considerable increase in finances or namesake.
Enter then E1 Music, who have picked up the band from their longtime label home of Relapse and aim to finally move them from direct support to headliner status. To this extent “Snakes For The Divine” serves as one hell of a statement of intent.
Flush with gnarled riffs, bellowing vocal refrains and a heady momentum, the album finds High On Fire at their most refined. But while the group may sound like the three horsemen of the stoner metal apocalypse, there are exceedingly clear limits to their scope on display.
True the band still proudly light their bongs with hellfire and brimstone and emerge with a twisted wreckage of Motorhead-like grit and hessian rage akin to Black Sabbath being lit on fire. But after two already similar albums, the incorrigible riffing and fearsome barks of band frontman Matt Pike and the ever beefy rhythm section that backs him can only go so far.
The pseudo prog elements the band incorporate and expound upon here have already been exploited by Mastodon and Baroness for starters. And the songwriting, while wholly intoxicating, seems stunted, whether it be through some dense lyrics or an already well worn song formula.
There’s no denying Pike and co.’s place amongst the pantheon of today’s underground riff lords. But with an album as canon as “Snakes For The Divine“, it’s hard to really justify the purchase.
Much like the weed that is ingrained in the mythos of the band, one can only take so many pulls of High On Fire‘s aging crop before developing a tolerance for it – suggesting that maybe it’s time for the band to start harvesting a more potent strain.
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COMMENTS
The only thing sexy about this album is the cover 2/5
I love this album. I think it might be High On Fire’s best album yet, from start to finish. It’s been kicking my ass for the past week.
What’d you think of that new Rob Zombie album? (hint hint)
I first saw High on Fire at SOTU ’05. Some random drunk guy kept yelling “HIGH ON FIIRRRRRRRRRE! YEEAAAHH…REAL FUCKING METAL…FUCK DEVILDRIVER AND THAT OTHER FUCKING SHIT…” That guy was awesome.
wow, this album rocks… definitely better then priestess – prior to the fire.
the review says this album uses all the tricks used by mastodon and baroness? more like those bands listened to sleep growing up and are now riding matt pike’s sound to the bank.
dont get me wrong mastodon, baroness and priestess all kick ass… its just sad that high on fire doesnt get the praise there due.
I think they’ve been writing the same album, over, and over again for the past 3 albums. Not that that’s a bad thing, but it certainly isn’t groundbreaking.
3 out of 5
great record. four outta five i say. vocals are the norm. should hire a singer/ better screamer or that melissa cross chick. but the music shreds. gotta love high on fire.
(update) this album is in the style of the latest machine head or mastodon. 7-9 long songs but they remain interesting throughout, it is awesome and if you don’t like it you have herpes. listen to it again. only drawback is his vocals as always. A+ for passion though
Mmmmm. Honest metal. I actually like the vocals, in addition to everything else. Been looking for something new (Snakes is the first time I’ve heard HOF), and pretty damn happy I found it.
Gotta agree with Dime, Matt Pike was doing this before Mastodon and Baroness started to make noise.
Is it a revelation? Is it “Progressive”? No, because it doesn’t have to be. Not every album can be “Crack the Skye”. Plus, “Blue Record” is clown shoes.
Its just straight up honest riffs, honest vocals, and Des Kensel is still a force to be reckoned with. Pay homage where its due wook.
will – Not sure what problem you have with this guy’s vocals. Maybe simply not your bag, not “bad”. Like how I can’t stand Geddy Lee and have come to cringe at Billy Corrigan’s voice. They’re not bad – I just can’t listen to it. Last thing they should do is get a carbon-copy bullshit screamer. schuyler – I suggest you check out the 2 previous albums, they’re the reason I bought this one. It’s far from revolutionary, but decent. Title track and Bastard Samurai are my faves so far. Not their best, but decent. 3/5
Every Time I Die, He is Legend, and other such bullshit consistently get 4s and 4.5s, but a legitimately solid metal album gets a 3.5. Way to fucking fail.
I also find it humorous High on Fire apparently only has 3 albums.
(Just to clarify – If that last comment was for me, I know they have more than 3 albums – I just have the latest and the previous 2.) In related news, High On Fire added to Heavy Montreal festival! Fuck yeah!!!
3.5 is a shit rating for this album. Go suck emo cock and leave quality metal to people who know how to appreciate it.
5/5 easily the best album they’ve ever put out. High on Fire is like Motorhead. Don’t change a lot, and thank god for that! Matt Pike rules!
I haven’t listened to the entire album but, from what I have heard so far, it sounds real fucking good. Matt Pike is a riff master. If you don’t think so, go listen to Sleep’s album, “Holy Mountain.” Anyways, I don’t like the comments about them doing what Mastodon has already done. I love Mastodon, who actually met at a High on Fire show, and they will be the first to tell you how much Matt Pike has influenced them.
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